![]() At the time of Emmerich taking over the Motion Picture Group, Patty Jenkins was in post on Wonder Woman, Zach Snyder was in post on Justice League, James Wan was shooting Aquaman, and Todd Phillips was writing The Joker. gangster movies of old and capturing that gangster DNA.”Įmmerich mentions that when he first sat down with Reeves, “I had his remake of the Scandinavian film, Let Me In, in my head.” Matt Reeves WarnerMediaīatman was one of Emmerich’s first priorities in his promotion at Warner Bros, in addition to getting Joker greenlit. “When he pitched the first draft of the script, it harkened back to Batman as the world’s greatest detective,” Emmerich tells us this morning, “He talked about the Warner Bros. However, the Let Me In filmmaker came around with a passionate pitch. Reeves was initially reluctant, as a high bar had been set on Batman with films by Tim Burton and Christopher Nolan. Pictures Group in 2017, for both Hamada and him, Reeves was their first choice to take the reigns of the next iteration of the The Dark Knight franchise. When Emmerich became President and Chief Content Office of Warner Bros. Let’s keep the Warner Bros.’ theatrical machine going, as it sets the table for other spinoffs, such as Reeves’ upcoming Penguin series, to make waves on streaming service HBO Max. However, Zaslav should be cognizant that when it ain’t broke, you don’t fix it. There’s been word around town that Zaslav is bound to make staff cuts at the new merger even talk of some new overall conglom head. Where is the glory in hiding streaming figures?! Toby Emmerich APĪs Discovery Communications is set to merge with WarnerMedia as early as next month, the success here of Batman should serve as a reminder to CEO David Zaslav as to how theatrical continues to work vibrantly for the studio, and how executives like Chairman Motion Picture Group Boss Toby Emmerich and DC President Walter Hamada are instrumental for the momentum of the studio’s success as the pandemic eases and moviegoing re-surges. Batman‘s opening further underscores the value in a big theatrical opening, and that there is no upside in going theatrical day-and-date, which is a recipe for eroding revenues, and certainly doesn’t do any favors for propping any hardworking filmmaker or talent’s career. during the pandemic, the best opening for filmmaker Matt Reeves ahead of Dawn of the Planet of the Apes ($73M domestic, $104.3M WW), and, as of right now, the best domestic opening for 2022. With an overseas take of $120M, Batman is the biggest international Industry opening this year to date, and the biggest WB opening weekend since Joker, and the studio’s best pandemic era foreign debut, sans China.īatman is easily the best opening for Warner Bros. There’s a very good chance by tomorrow AM that Batman could rise beyond $130M. That’s after Spider-Man: No Way Home with $128.5M after a $43.2M Saturday, which was -24% against the pic’s opening Friday+previews. SUNDAY AM UPDATE : In another clear sign that moviegoing is alive and well despite ceasing during the pandemic, Warner Bros.’ The Batmanis delivering the second-best opening since 2019. ![]() ![]() Worldwide came in at $258M when adding in $124M from abroad. 'The Batman' Filmmaker Matt Reeves On New Dark Knight, Pic's Sequel & Colin Farrell Penguin HBO Max Series - Hero Nation Podcast ![]()
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